Category: Crafts

Halloween 2017: Lion Mask – Completion

I cured Anya’s lion mask in the oven at 170 degrees F for several hours, and it got hard. Then we painted it. Anya wanted to be a rainbow lion. I had planned to blend a couple of pearlescent water colours — orange, yellow, brown, and cream — to make a tan-ish tone for the fur, then combine the red and cream to make a subtle pink for the ears.

When we were making the mask, I was worried the ears would be unstable. So I’d added a coating of papier-mâché on the back, extending down past where the ears mount to the main mask. This gave us solid ears that don’t seem like they’re going to snap off.

Anya painted the rest of the mask while I worked on the ears.

From the side — I’d left a void through which the strap could be run

We then used a glitter infused soft-gel watercolour paint to give the mask some sparkle – didn’t seem like a lot of glitter when the paint was wet, but the mask developed a nice sparkle as the paint dried. The tones are fairly subtle, and I took a wet brush to blend her sharp edges.

 

Halloween 2017: Lion Mask

We made Anya’s lion mask a few weeks ago, but I couldn’t get the cardboard to hold together without using a lot of tape. Which meant the surface wasn’t consistent and was not easily painted.

So I decided to use the mask as a base for papier-mâché. First step – make papier-mâché goo. A good bit of research, and I realized there are a lot of ways people make this stuff. But since it’s going to be on her face, I didn’t want to use building supplies or even PVA glue. Decided to try the boiled flour/water binder. Boil a cup of water. In a separate container, stir together 1/4 c flour and 1/4 c cold water and stir until it is smooth. Once the cup of water is boiling, slowly whisk the flour into the water and boil for a few minutes until it thickens.

The paper – I used my pasta pot, and the paper fibers stayed within the basket quite well. Boiled paper for about ten minutes to soften it up, then used the immersion blender to break it up. Pulled the basket out of the water, and set it to drain. It was still wet, so I put the blob into a towel and pressed out more water.

Once I had a fairly dry blob of paper fibers, I mixed in the binder and used the immersion blender to form a consistent paste-like texture.

Then we pressed a thin layer over the mask – tried to get a texture that looks a little bit like fur.

Most important thing, Anya enjoyed glooping the stuff onto her mask, and she likes the finished result. I popped it into the oven on warm and am checking it every half hour or so to make sure we don’t burn it.

Tomorrow, we’ll paint it with a glittery tan paint, adding some pink paint in the ears, nose, and mouth area. Probably sort something for whiskers too.

Halloween 2017: Lion Costume – Furry Suit

I have Anya’s Halloween costume finished. I used a minky fur in camel for the body and a long-haired fur in camel for the mane and fur accents. The costume is just a shirt and pants made with minky fabric. For the pants, I used a free pattern from FunFleece — where the pattern says you can cut the pieces simultaneously on folded fabric, it should indicate that you need to cut two mirrored. If you cut on folded fabric, it is mirrored by design. If you cut two pieces separately … well, it won’t go together well, you’ll have to rip the seam, and then cut one the right way. No reason I know this 🙂 Once I had mirrored pieces, it was a quick job to serge it together, fold the waistband, insert elastic, and stitch the band together. The legs were quite long, so there is a 1.5″ folded hem at the bottom that can be let out as she grows.  The shirt is a pattern I drafted based on one of her long sleeved t-shirts.

The mane is a large rectangle with each side serged to keep the fur from shedding everywhere. It is serged together under her chin and tucked both sides of her forehead to fit the opening to her face. The back is opened so the mane pulls on easily. I used a few sewing clips to pull it together.

I cut small elongated trapezoids of the long fur fabric and serged them together to make a cuff. They just slip over her hand like a bracelet. Add the tail I made earlier, and we have a lion:

Somtimes a fierce lion with claws:

Peppermint Swirl Dress

I absolutely adore the peppermint swirl dress pattern, and would love to make one with a rainbow skirt. I haven’t the slightest idea what to do for the top … another colour looks out of place, but using one of the skirt colours in the top looks odd too. Then I saw a rainbow skirt where seven of the fourteen panels were black with a black top. It was an awesome look. Then I saw black stripes with a rainbow stained-glass. I would have made it, but the fabric was a limited run that became unavailable at the end of last month.

So I thought about designing my own rainbow fabric for the dress. https://www.spoonflower.com/designs/6869492-cubistrainbow2-by-lisa5 … split out with black strips, it looks like this:

 

Lion Costume – Mask

I started making Anya’s costume – this year, she wants to be a lion (took a while explaining that once we order fabric and stuff you cannot change your mind) with a mask on her face. Specifically, she wants a mask. Very important. So I had to figure out how to make a lion mask. I used Pepakura Designer to create a 3D model of a lion face and then unfold it into a series of printable shapes.

After printing the design, I clipped the paper to half-back (thin cardboard) that I use to store fabric. A straight-edge and x-acto knife helped in accurately cutting the pieces. They’re still a pain to assemble – a couple of extra hands would have helped. Problem is it needs so much tape to keep its shape, I have no idea how to paint the thing.

I’m thinking of using the cardboard mask as a base to apply papier-mâché. Then we’ll have a consistent surface to paint.

Halloween 2017: Lion Costume – Tail

To make Anya’s lion tail, I started with an elongated trapezoidal piece of furry fabric — not quite a rectangle because I wanted it thicker at the base of the tail and thinner at the end. I folded it in half length-wise, with the right sides together, and used the serger make a fabric tube. Turned it right side out and stitched the ‘tip’ of the tail closed. I used a bunch of poly-fil and slowly stuffed the tail (using big wads to stuff the tail made it look lumpy. I took small pinches of the stuff and pushed it to make a firm filling.). Then I hand-stitched a strip of long fur around the tip.

I wanted something Anya could put on by herself, so clipping the tail onto her clothes wouldn’t work. I decided to use an elastic band – cut a 4″ wide strip of the lion fur fabric about 6″ longer than Anya’s waist circumference, folded it in right sides together, and serged it into a tube but left a few inches at the end. I then inserted the tail into the tube and folded it so the top fabric of the tail was aligned with the top fabric of edges of the waistband fabric and finished serging the strip. I then turned the whole thing right-side out — so the tail was firmly held into the band and dangled down. I measured out a strip of elastic about 2″ bigger than Anya’s waist, threaded it through the band, and sewed the elastic together with a lot of overlap. My hypothesis is that I’ll be able to open the seam and make her bands bigger as she grows. Once I confirmed it was tight enough to hold the tail up on her waist, I hand-stitched the tube together at the ends to make a band. Voila, one lion tail!

Baseball T-Shirt: Completed

I finished Anya’s baseball t-shirt!

I sketched a quick heart in Photoshop, and drew in two lines of baseball-style stitching. The image was printed on Transfer EZE ‘paper’ using our laser printer (which answered the question: can you laser print on this stuff?). I then took a little scrap of quilt batting and laid it on the shirt. Placed a scrap of white satin on top, then stuck the Transfer Eze print onto the satin. It adhered quite well to satin – was a little concerned!

Put it in a hoop and embroidered the red stitching to hold the whole thing in place. I then trimmed the satin about a quarter inch outside of the heart’s lines; the batting was trimmed to be about a quarter inch smaller than the satin. Finishing the project was just needle turn appliqueing the heart to the shirt (using what amounts to a really short satin stitch).

The quilt batting really enhances the stitch definition for the red lines, and it makes the whole design puff out a bit from the shirt.

Baseball Shirt

Anya’s preschool class has “baseball day” on Friday, and they are to wear their baseball shirts. It’s an interesting assumption that everyone has a baseball shirt to wear. Three years ago, I happened across an Indians t-shirt on post-season clearance. It was a size too large, but she grows. Beyond my “you cannot go wrong with a 4$ t-shirt” purchase, we don’t have anything baseball related. I don’t particularly want to pay inflated MLB-licensed in-season (and the Indians are doing well) prices.

I picked up a bunch of blank t-shirts for embroidered designs, so I decided to make Anya a baseball themed shirt. She chose the green shirt, and I drew a heart and added baseball stitching. The black and white image was printed on this Transfer Eze paper that I love. Then I cut out a slightly larger heart of white satin and a same-sized heart from a very thin quilt batting. Laid out the t-shirt, centered the quilt backing, then affixed the Transfer Eze heart to the satin and laid it on top of the batting. Going with the quilting principal of working from the center out to avoid bubbles, I started with the red stitching. Now I’m using a satin stitch around the edge to needle turn appliqué the whole thing onto the t-shirt.

Calculating Cost Of Material For Craft Projects — Crocheting and Knitting

Calculating the cost of materials for a knitting or crocheting project is a little more complex than calculating soap material costs. Because there’s not a recipe. Your pattern may say 150 grams of a specific yarn, but you don’t use exactly 150 grams. You use what you use, and whatever is left over is left over.

As with soap oils, the price per skein of yarn may include a tax or shipping component. You can follow the same process to determine the yarn as a percentage of the order weight for prorated shipping and the yarn cost as a percentage of the order cost for prorated tax.

With yarn projects, though, you need to know how much yarn actually went into the project. How? Weigh the skeins. Weigh them before you use them or just accept the manufacturer’s weight as accurate. If you’ve got a little kitchen scale, weigh the yarns when you finish using it on the project (this assumes you don’t concurrently use the same yarn on multiple projects!). The difference is the amount of yarn in the project. You can then calculate the percentage of the yarn which was used ( (weight at start – weight at end) / weigh at start). The material cost is that percentage of the yarn cost (price per skein * number of skeins used). Add up the material cost for each yarn in the project, and you know the material cost for the project.

A spreadsheet is good for these sort of repetitive calculations. You can estimate a project’s total cost by entering 0 into column ‘G’ and basing column ‘C’ on the pattern’s yarn requirements.

The spreadsheet allows you to check out how different yarns will impact the project material cost too – what happens if I use a more expensive yarn? It’s nice to know before looking at your shopping cart total in absolute shock 🙂